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| 27 Dresses |
It's a good movie for fun.
Maybe it's because I watched two sad movies recently that I become not as intrested in these light movies as before.
But I still appreciate the sweet love stories in these movies.
Does this stand for my inner desire?
The scene that Jane changes her 27 dresses reminds me some similar scenes in other movies:
Fanfan tries all kinds of hats before a big mirror.
Andrea appears in diffrent clothes in streets.
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| 色·戒 |
不得不夸赞《色·戒》是一部拍得很好的电影。
演员、对白、服饰、布景……每一处都精心安排。
而在所有的之中，汤唯不可不谓点睛之笔。
汤唯是美丽的。她的美不是那种惊艳的、妖娆的美，而是那种很正、略带古典的美。
她所塑造的王佳芝，自有一份智慧、一份端庄、一份优雅、一份妩媚。百看不厌。
女主人公王佳芝是一个悲情角色，挣扎在个人情感与民族大义之间。
最初在香港时选择接近易先生的举动，是这两者的综合的趋势，也有少不更事的冲动与鲁莽。
后来在上海决定成为情报人员，似乎是后者的主导，可更多的是她在三年前的受伤与被打击后自觉余生无义，不如做一些为国为民之事的无奈与悲壮。
而在最后，她选择告诉易先生“快走”，自然完全是前者的作用。我似乎很能理解她的这种做法。作为一个女人，她终究有自己的爱情。最初那种与邝裕民的互相吸引却让她受伤，如今在不自觉中与易先生惺惺相惜。这种好不容易找到的爱恋，她只是不想失去，不想让他死。
最感动于王佳芝为易先生唱《天涯歌女》的那一段：
天涯呀海角
觅呀觅知音
小妹妹唱歌
郎奏琴
郎呀咱们俩是一条心
爱呀爱呀郎呀
咱们俩是一条心
家山呀北望
泪呀泪沾襟
小妹妹想郎
直到今
郎呀患难之交恩爱深
爱呀爱呀郎呀
患难之交恩爱深
人生呀
谁不惜呀惜青春
小妹妹似线郎似针
郎呀穿在一起不离分
爱呀爱呀郎呀
穿在一起不离分 |
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| Edward Scissorhands |
Just as Yuancheng said, this is a sad story.
Edward, a robot, leaves his castle which is far away from human beings.
He is smart, polite and kind-hearted.
He is led to live a normal live.
But he failed to learn how to deal with the complex relationships between people.
As something special, he is found useful first and then be treated as devil.
He tried to love and his love is accepted by the girl, but this love couldn't be understood and they are forced to be apart.
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| Ratatouille |
Little rate Remy, who pursues his dreams, tells me a story about cooking.
Anyone can cooks.
Not everyone can become a great artist, but a great artist can come from anywhere. |
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